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Sleepless In Seattle – The Musical

 

The Pasadena Playhouse is responsible for bringing to life one of the most beloved romantic comedies of all time, Sleepless In Seattle. The son of a recently-widowed man calls into a radio talk show in an attempt to find his father a partner. The subsequent events focus on the burgeoning love between Sam and Annie, whom are separated by miles but are destined to be together.

It is a huge challenge to adapt an iconic film that was so closely identified with its two stars – Tom Hanks and Meg Ryan. But this version has largely succeeded by dint of the talented musical team of composer Ben Toth and lyricist Sam Forman, as well as a gifted trio of lead actors – Tim Martin Gleason, Chandra Lee Schwartz and Joe West.”

-Hoyt Hilsman, Huffington Post.

If you are looking for a night full of romance and comedy, Sleepless In Seattle won’t let you down. From the up-beat ballads to the comic relief, The Pasadena Playhouse’s Sleepless In Seattle- The Musical is a great way to spend your evening.

For Ticket information and show times visit:

www.pasadenaplayhouse.org

Tuesday, June 15- Sunday, June 23; at various scheduled times

Tickets: $64.00-100.00

Running time: 2 hours 10 minutes (including a 15-minute intermission)

39 S. El Molino Avenue, Pasadena, CA 91101
(626) 356-7529

 

- Michelle Hatcher

photo courtesy of: pasadenaplayhouse.org & huffingtonpost.com

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INTERVIEW: TIM MARTIN GLEASON AND CHANDRA LEE SCHWARTZ OF ‘SLEEPLESS IN SEATTLE – THE MUSICAL’ – CredibleInformation.com

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Tim Martin Gleason & Chandra Lee Schwartz Sleepless in Seattle

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REVIEW: ‘SLEEPLESS IN SEATTLE – THE MUSICAL’ TolucanTimes.info

I only caught one play for “review” on the weekend. An ambitiously staged enactment of a highly revered and much loved movie …

By on June 6th, 2013

Now running as a live musical production … “die hard fans” of the film will love it! 

Sleepless in Seattle – The Musical

Photo by Jim Cox

From l, Tim Martin Gleason, Joe West, and Chandra Lee Schwartz in “Sleepless in Seattle – The Musical.”

Most of us fondly remember Tom Hanks and Meg Ryan in this romance-affirming film, and have seen it more than once. On many people’s personal “favorite films” list, The American Film Institute placed it among the TOP 10 Best Romantic Comedies of all time! Directed here with creative class and “lots of love” by Sheldon Epps, this musical adaptation based on Nora Ephron’s 1993 script, follows the delightful fairytale romance of Sam and Annie, all over again. (Book written by Jeff Arch, Music by Ben Toth, and Lyrics by Sam Forman.) Although I quite enjoyed the production, I must say that many of the songs were a bit unmemorable … “It Might Be Magic” was by far, the strongest song offering in the show! It opens in the 1990s … as Jonah, a 10-year-old boy in Seattle, calls in to a talk radio hostess, longing for a new mother after the passing of his own. Sam, his widowed father resistantly then takes the phone and grippingly relates the pain of the loss of his wife. Touching the hearts of countless single women, the response was quite staggering! (200,000 calls came in.) This charming tale focuses on one such woman living in Baltimore, and her quest to meet the heartbroken Sam. Annie, a sweet, hard working gal, already engaged to another man, is so touched by their story, that she heads for Seattle to try to meet Sam and Jonah … but doesn’t succeed. Chandra Lee Schwartz is delightfully believable as the conflicted Annie, Tim Martin Gleason is charming as the lonely Sam, and young Joe West is showstoppingly sensational as Jonah! As Annie’s boss/friend, encouraging Annie’s quest … Sabrina Sloan is a sizzling standout, Robert Mammana is heart-touching as her lackluster fiancé, Lowe Taylor is heart-rending as Sam’s sister, and Todd Buonopane is quirky as Rob. Nice work too by the enthusiastic ensemble cast! The lonely young Jonah then writes Annie a letter, asking her to meet them in New York at The Empire State Building on Valentine’s Day … convinced that she and his Dad were destined to meet, but Dad nixed the idea. Mood setting kudos to: Spencer Liff (choreography), John Iacovelli (inventive scenic design), Kate Bergh (costumes), Brian L. Gale (lighting/clever projection design), Carl Casella (sound), and David O (musical director), and his fine orchestra. A sweet story … That final scene, “The One We All Wait For” … in New York, is touchingly magical! Sure to flutter your heart and reaffirm our fascination with “true love” … this is an enjoyable PG production, suitable for the entire family. You must act quickly to catch this one, as it closes on June 23 at The Pasadena Playhouse located at 39 S. El Molino in Pasadena. For tickets call (626) 356-7529 or visit PasadenaPlayhouse.org.

That’s all I’ve got for this time. Keep reading my column, and make it a point to catch some of L.A.’s innovative and highly entertaining theatrical productions. It is endlessly rewarding and offers viewpoints and lifestyles that take us out of our daily grind. Whether dramatic, funny, creepy, musical, historical, or bawdy … it always broadens our horizons in one way or another!

 

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PHOTO EXCLUSIVE: BACKSTAGE SNAPSHOTS FROM ‘SLEEPLESS IN SEATTLE’ STAR CHANDRA LEE SCHWARTZ – Playbill.com

By Matthew Blank
07 Jun 2013

Tim Martin Gleason, Chandra Lee Schwartz and Joe West star in the world-premiere production of Sleepless in Seattle — The Musical, which is presented by Pasadena Playhouse. Schwartz shares some shots she captured during rehearsals.

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Me working hard in Tech. Very hard.
Photo by Chandra Lee Schwartz



The cast includes Gleason as Sam, West as Jonah, Schwartz as Annie, Sabrina Sloan as Becky, Todd Buonopane as Rob, Cynthia Ferrer as Eleanor, Katharine Leonard as Victoria, Robert Mammana as Walter, Adam Silver as Greg, Lowe Taylor as Suzy and Carter Thomas as Jonah alternate.

Rounding out the ensemble are Sachin Bhatt, Terron Brooks, Jay Donnell, Charissa Hogeland, Teya Patt and Yuka Takara.

According to Playhouse notes, “Sleepless in Seattle — The Musicalcenters around Sam, a widower and single father. When Sam’s son, Jonah calls into a talk radio program looking for a new mother, Sam ends up getting on the phone and laments about his lost love. Thousands of miles away in Baltimore, Annie hears the program and immediately falls in love with Sam, despite the fact that she has never met him and that she is engaged to another man. Believing they are meant to be together, Annie sets out for Seattle to meet Sam, who, meanwhile, contends with an onslaught of letters from available women equally touched by his phone call.”

For more information, visit PasadenaPlayhouse.org.

 

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ADDING MUSIC TO MOVIES BY WAY OF THE STAGE: ‘SLEEPLESS IN SEATTLE’ TO ‘KINKY BOOTS’ – HuffingtonPost.com

Posted: 06/07/2013 1:05 pm
James Sims

Senior Editor, BroadwayWorld.com

Glancing at the shows nominated for Best Musical for this year’s Tony Awards, it is easy to mistake the list as being a Hollywood box office report. All four shows — Bring It On: The Musical; A Christmas Story, The Musical; Kinky Boots; and Matilda The Musical — are derivatives of feature films, albeit the latter is based on the book rather than the ’90s film adaptation. Is it that producers prefer the comfort of well-known stories, are creative types running low on original ideas, or are movies the new “out of town” tryout for a plot before heading to Times Square?

Having recently made my way back to Los Angeles after spending the past five years in New York City, it’s apparent that this Hollywood diet isn’t exclusive to Broadway. Just this month, two major Los Angeles theaters mounted theatrical offerings rooted in film. The Pantages Theatre is presenting the national tour of Priscilla Queen of the Desert — a musical adaptation of the 1994 Australian indie flick — while the Pasadena Playhouse has the world premiere of Sleepless in Seattle – The Musical.

Unlike Priscilla Queen of the Desert, a show celebrating excess and over-saturated glitz, Sleepless in Seattle is rooted in an old-fashioned love story, translated to the stage with a classic musical sound. There is something sentimental captured on stage in the musical adaptation of this Nora Ephron, David S. Ward, and Jeff Arch screenplay.

2013-06-07-sleeplessseattle.jpg

While the feel good film will likely predispose audiences to feeling warm and fuzzy as they recall stars Tom Hanks and Meg Ryan, a film-to-stage translation cannot rely on that nostalgia if it hopes to prove creative originality. The tall order of casting aside audience expectations in a high-profile musical adaptation fell to composer Ben Toth and lyricist Sam Forman, with help from original co-writer Arch, joining this production with a new book.

“We were all interested in telling ‘the’ story of Sleepless in Seattle, but within the story, there is so much room to have expansion and take detours,” composer Toth told me shortly after opening night. “We knew that, whatever scenario we put on stage, thanks to the fact that we were working with [Arch], any situation we put those characters in, it would make sense.”

Sleepless in Seattle the movie, that TBS staple any warm-blooded American likely recalls when thinking of Hanks and Ryan, brings both a well-known story and a hit-filled soundtrack. Composer John Barry was reportedly offered the job of composing music for the original film, but turned it down after being told the soundtrack needed to include so many popular songs.

Toth and Forman were hired less than a year ago, giving the creative duo approximately eight months to compose a musical that had already been stuck in creative limbo following years of delays and a previous music writing team — a gestation period described by producer David Shor as “challenging and complicated.”

“In the beginning, I re-watched the movie a lot. After four or five days of writing, I’d watch the movie again, making sure I was staying true to the original intention of the film,” Toth said. “After a while, we trust that all of the research and discussions with Jeff [Arch] and Sam [Forman] led to a place that keeps both the original intention and our own, musical theater.”

Staying true to the original intention of a film while providing something original is a challenge all Broadway creative types are faced with when adapting works initially penned for the screen. “Movies are all about plot. Theater, even if it’s story heavy, it’s about ideas. Theater has to resonate in your heart in a way that movies don’t,” said Kinky Boots writer Harvey Fierstein.

It’s a sentiment shared by another Tony-nominated musical’s co-creator, Lin-Manuel Miranda, the man behind Bring It On: The Musical. “What excited me most about working on this show was that our bookwriter Jeff Whitty didn’t want to adapt the original movie. He really wanted to take the world of competitive cheerleading and find what was stage-worthy in it.”

Beyond Sleepless in Seattle, what’s next for Hollywood-sourced stage musicals? Composer Jason Robert Brown is bringing The Bridges of Madison County to Broadway as a new musical early next year while Little Miss Sunshine is moving one step closer to Times Square at Off-Broadway’s Second Stage in October.

Just one note to theatrical hopefuls taking on movie musicals: Michael Riedel is not a fan of adding “The Musical” to the title. “They think we’re all so stupid that they have to tell us it’s a musical.”

Riedel’s snark aside, the format of a show’s source material shouldn’t play a part in winning over its creators, as is evident when talking with Toth. “Within an hour of reading about this possibility, I was on a ride. When you fall for someone, you just fall and go for it.”

Photo of Sleepless in Seattle — The Musical: Courtesy of the Pasadena Playhouse by Jim Cox.

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LOVE AND DESTINY SHINE IN UPLIFTING ‘SLEEPLESS IN SEATTLE – THE MUSICAL’ – Examiner.com

Scene from "Sleepless in Seattle--The Musical"
Scene from “Sleepless in Seattle–The Musical”
Credits:
Jim Cox
Need a lift? Check out The Pasadena Playhouse world premiere production of “Sleepless in Seattle—The Musical.” Artistic Director Sheldon Epps took on a difficult challenge converting the popular Nora Ephron Tristar Pictures film into an entertaining stage musical. With a book by Jeff Arch, music by Ben Toth and lyrics by Sam Forman this show, where love and destiny triumph, succeeds in delivering a healing balm for these troubled times.

Under Epps’ direction and assisted mightily by multi-Tony Award nominee Music Supervisor Larry Blank, orchestrator Tony Award-winning Michael Starobin, multi-award winner musical director David O and Emmy Award nominee Spencer Liff staging the musical numbers the talented leads Tim Martin Gleason as Sam, Joe West as Jonah and Chandra Lee Schwartz as Annie, along with the superb ensemble provide an uplifting and fun evening of theater. Family-friendly, this show is a great way to introduce children to the delights of live theater.

At the press opening on Sunday, June 2, there were a few lines lost because of microphone problems, but other than that the show features fine singing, inventive choreography that suits the variety of “real” characters and some very funny dialogue. Even audience members intimately familiar with the film find themselves rooting for the seemingly star-crossed lovers.

Hats off to scenic designer John Iacovelli, lighting and projection designer Brian Gale, sound designer Carl Casella and costume designer by Kate Bergh who each contributed considerably to this first-class production.

“Sleepless in Seattle—The Musical” performs Tuesday through Sunday through June 23, 2013. Ticket prices are $64 – $107 with premium seating available for $100 weeknights and $145 weekend performances. Call 626-356-7529 or visit www.PasadenaPlayhouse.org or visit the Playhouse box office.

The Pasadena Playhouse is located at 39 South El Molino Avenue in Pasadena.

Send questions, comments and suggestions to columbuscommunications@yahoo.com.

 

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A NEW ROMANCE: ‘SLEEPLESS IN SEATTLE – THE MUSICAL’ AT PASADENA PLAYHOUSE – StageStruckReview.com

Posted by on June 5, 2013

The Ensemble search for that someone "Out There"  in "Sleepless in Seattle" at the Pasadena Playhouse

The Ensemble search for that someone “Out There” in “Sleepless in Seattle” at the Pasadena Playhouse

Apparently I am one of about three people in the western world who has never seen the film “Sleepless in Seattle.” This allowed me to approach the brand new musical just opened at the Pasadena Playhouse with a completely open mind. Fortunately, I had with me someone who describes that story as “the most romantic movie ever made.” Given this, I could evaluate the show in the abstract (ie: was it good as a piece of theater), and also get feedback as to whether it was true enough to the treasured film not to send people out in a huff…

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‘ROCK OF AGES’ DIRECTOR KRISTIN HANGGI TO HELM PASADENA PLAYHOUSE’S ‘THE FUTURE PERFECT’ READINGS, 6/25-26 – BroadwayWorld.com

Tuesday, June 4, 2013; 09:06 PM – by

Rock-of-Ages-Director-Kristin-Hanggi-to-Stage-The-Pasadena-Playhouses-Upcoming-HOTHOUSE-20010101

The Pasadena Playhouse announced the final presentation of its 2012 – 2013 HOTHOUSE at The Playhouse series, THE FUTURE PERFECT. Book by Jonathan Caren, music & lyrics by Emmy Award-winning composer and songwriter Ben Decter, directed by Tony Award nominated (for Rock of Ages) Kristin Hanggi with musical direction by Kyle Puccia. The staged reading will take place Tuesday, June 25, and Wednesday, June 26, 2013, at 8:00 p.m. in the Carrie Hamilton Theatre at The Pasadena Playhouse.

“This project is a labor of love for us…and something we’ve enjoyed developing from the ground up,” said director Kristin Hanggi. “I’ve always thought of this musical as John Lennon‘s quote – ‘Life is what happens to you while you’re busy making other plans.’ I’m really interested in exploring all the optimism of youth & our dreams, and how life grows us by the events that happen along the way.”

Added composer and lyricist Ben Decter, “After several aborted attempts at exploring the early years of being a Dad through words alone, I finally turned to songwriting. It just so happened that Kristin Hanggi was given a CD, and thus began the deep development process. Kristin promised on day one that this would be a long, challenging journey. Yet, we keep moving forward, onward, and upward and that’s actually what this story is about. It’s amazing how our show, and all of us, have grown through the process – especially the little girl who was the original inspiration for this story.”

THE FUTURE PERFECT is a story about a singer and his band on the verge of their dreams, but behind the scenes his family is falling apart. While the band deals with their newfound fame, Daniel is dealing with his newfound daughter and her ensuing medical crisis, which will require more love than he ever imagined. In THE FUTURE PERFECT, we follow a young man’s struggle to accept a different vision of himself, his daughter and the future. It’s a musical about going for your dreams, and being surprised by what you find along the way…

The cast for THE FUTURE PERFECT has yet to be announced. Casting director, Michael Donovan, CSA (Michael Donovan Casting) will facilitate the process. Please contact his office for any casting inquiries.

“With Sleepless in Seattle – The Musical, a HOTHOUSE grown World Premiere musical closing a smashingly successful 2012-13 Season on our Mainstage and proving we are truly “Better Than Ever!” at The Pasadena Playhouse, what better finale for our 2012-13 HOTHOUSE Season than another original musical with THE FUTURE PERFECT? Like Sleepless in Seattle – The Musical, THE FUTURE PERFECT finds its roots in a love story we think we all know, and we expect to play out in a certain way. However, nothing is ever the way one expects when it comes to love – or art.” said HOTHOUSE producer and Playhouse Artistic Associate, Courtney Harper. “This 2012-13 season of HOTHOUSE has been more than exciting. We’ve seen fantastic authors and actors returning to us with new work after previous pieces grown in HOTHOUSE have moved forward. Much of their work has had life on our Mainstage, gone on to Tony-nominated Broadway productions, and on national tour. For example, we’ll be seeing our June 2012 HOTHOUSE grown play Above the Fold by Bernard Weinraub, Directed by Steven Robman, on our Mainstage as part of our 2013-2014 Mainstage Season in January/February of 2014. The journey of pieces like Above the Fold show our HOTHOUSE series continues to sustain the pattern of successfully growing new work and subsequently producing a very high percentage on our Mainstage and beyond. We could not be more thrilled with the progress and continued development of this vital program.”

Reservations for HOTHOUSE at The Playhouse staged readings may be made online at http://www.pasadenaplayhouse.org/outreach-and-education/hothouse.html or by calling The Pasadena Playhouse box office at 626-356-7529.

HOTHOUSE at The Playhouse cultivates writers, actors, and directors of all backgrounds through new play development. HOTHOUSE at The Playhouse leads the way in new play development by helping emerging and established playwrights grow their stories to the next level toward full production. Several of The Playhouse‘s most successful Mainstage productions have emerged from the HOTHOUSE program, enjoying long production runs subsequent to Playhouse premieres, such as the following: Sleepless in Seattle – The Musical; One November Yankee; the Tony-nominated Sister Act – The Musical, Looped, and the upcoming Broadway production of Can-Can by David Lee. MFA students from nearby universities participate in this program through special sessions with the playwrights. HOTHOUSE at The Playhouse is made possible in part by the support of the Wells Fargo Theatrical Diversity Project.

Kristin Hanggi directed the smash-hit Rock of Ages, which was nominated for five Tony Awards including Best Direction of a Musical. She has directed the productions on Broadway, the West End, Australia, Toronto, Las Vegas, and two National Tours. Ms. Hanggi’s other productions include acclaimed pop opera bare which performed to sold-out audiences in Los Angeles and Off-Broadway, for which she received the Ovation Award for Best Musical, LA Weekly Award for Best Musical, and Robby Award for Best Director. Ms. Hanggi also directed the initial production that launched the Pussycat Dolls, Pussycat Dolls Live at the Roxy with Christina Applegate, Carmen Electra, and special guests Gwen Stefani, Christina Aguilera, Brittany Murphy, Nikka Costa, and Charlize Theron. Other stage productions include: And the Curtain Rises at the Signature Theater; winner of the New York’s Fringe Festival, Catch The Fish; Twelfth Premise (LA Times Critics Choice); the Los Angeles Premiere of Terrence McNally‘s Corpus Christi (2001 Ticketholder Award, Best Production; 2001 Ticketholder Award, Best Director; 2001 Robby Award, Best Director of a Play); Crane, Mississippi (LA Times Critic’s Choice, BackStage West Critic’s Pick); the New York and Los Angeles productions of the underground cult-hit Ann E. Wrecksick and the Odyssey of the Bulimic Orphans. Kristin just finished directing the musical movie Dear Dumb Diary that she also co-wrote, based on the best-selling book series for Walden Media. Ms. Hanggi graduated with her Masters from USC after receiving her Bachelors from UCLA in Theater.

Jonathan Caren: Plays include The Recommendation (The Old Globe, ’12 Craig Noel Outstanding Play, upcoming: The Flea Sept ’13), The Morning the Sun Fell Down (MTC 2013 7@7), The Venerable Raman Gupta (Sundance Lab ’13 Finalist), Open Heart Meditation (Ars Nova Out Loud ’11), and Catch the Fish (NY Fringe, Outstanding Play). 2011-12 Dramatist Guild Fellow, 2011 New York Stage And Film Founder’s Award, T.S Eliot Old Vic/New Voices Network member, SPACE @ Ryder Farm fellow, two-time Lecomte du Nouy award winner. Jonathan graduated from the The Juilliard School and Vassar College where he studied mythology and religion.

Ben Decter: Ben Decter is an Emmy Award-winning composer and songwriter who has created a diverse body of music for television, theater, film and commercials. Ben’s Emmy resulted from his score for the Academy Award-nominated film Operation Homecoming. Ben also co-created the score to We Live in Public, the 2009 Sundance Film Festival Grand Jury Prize winner. This Fall, he will co-compose Jerry Bruckheimer‘s CBS drama, “Hostages.” Another Big Day, Ben’s much-loved children’s CD (a collaboration with Dave Nachmanoff), received national recognition and critical praise. Ben has also recorded as Paley Jones and as one-half of Emalazarus, a folk-electronica duo. Born in Manhattan, and raised in New Jersey, Ben graduated from Harvard University, where he majored in political science. Ben resides in Los Angeles, CA with his wife, two children, and a menagerie of 4-legged critters.

Kyle Puccia: Kyle earned his BFA in Musical Theatre at SUNY Fredonia College. He is a Billboard charting recording artist, Billboard charting songwriter, award-winning composer, celebrity vocal coach, music-director and vocal arranger/producer. Kyle music-directed and created vocal arrangements for all workshop productions of Broadway’s 80s rock musical, Rock of Ages. As a writer and composer, Kyle’s music has been featured on TV and in film and he’s scored several indie feature films and shorts.

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REVIEW: ‘SLEEPLESS IN SEATTLE – THE MUSICAL’ AT THE PASADENA PLAYHOUSE – CultureSpotLA.com

June 4, 2013 | By Gil Kaan | Category: Featured Articles, Theater and Dance

Tim Martin Gleason, Joe West and Chandra Lee Schwartz / Photo by Jim Cox

The Pasadena Playhouse has a sure-fire hit with the world premiere of “Sleepless in Seattle – The Musical.” The Playhouse’s Artistic Director Sheldon Epps fluidly directs his strong, perfectly cast ensemble in a rousing two hours and 10 minutes of soaring vocals and clever choreography (Kudos to Spencer Liff!) encased in a lean, mean, multi-level and smoothly changing set by John Iacovelli and framed by Brian L. Gale’s vibrant video screens creating the various locations.

“Sleepless in Seattle,” based on the 1993 movie of the same name with screenplay by Nora Ephron and story by Jeff Arch, tells a story of destiny: how a just-widowed father and his 10-year-old son meet the perfect woman to ease their sorrow. Arch has revisited “Sleepless,” writing this play’s book, in a winning collaboration with Sam Forman (lyrics) and Ben Toth (music). Dialogue and lyrics contain many a witty phrase and memorable saying (e.g., “Hurt melts like butter on a pancake.”). Music, skillfully conducted by David O, keeps the moods appropriately seductive or comic or endearing, and the toes steadily tapping.

As the widower Sam, Tim Martin Gleason projects a flawless combination of depression over his lost wife, frustration in dealing with life after her death, and love for his son. His scenes with his son Jonah, disarmingly played and powerfully sung by Joe West, will make your tear ducts flow.

With everyone so helplessly concerned with Sam’s self-imposed isolation, Jonah initiates a call to a radio advice show soliciting help for his father’s lonely plight. Aware of the vast amount of listener response in the form of many, many letters of introductions, invitations and seductions, a newspaper editor takes notice of this as a potential human-interest story. This editor, Becky, fiercely sung and essayed by Sabrina Sloan, assigns the story to her reporter and BBF Annie, to momentarily distract her from her pending marriage to Walter (so sympathetically well played by Robert Mammana you still root for him while you’re rooting for Annie to hook up with Sam).

Chandra Lee Schwartz plays and sings the many moods of Annie quite believably and winsomely. As a matter of fact, Gleason and Schwartz so make their roles their own, even if you initially think of Tom Hanks and Meg Ryan as the destined couple, you immediately forget the cinematic stars.

Sam’s best friend Rob, as portrayed by the talented Todd Buonopane, provides the strong shoulder to lean on, the smart advice Sam doesn’t listen to and the best adult buddy a boy could ever have. A showstopper amongst many, Buonopane’s song-and-dance duet with West, “What She Wants to Hear,” has the audience clapping and ultimately cheering.

Katharine Leonard brings some finely tuned comic relief as Victoria, the first woman Sam tries dating. The chorus excels in its various numbers, especially “Getting Hot in Here,” set in a singles’ club where Sam and Victoria first meet.

The late Nora Ephron would be so proud!

—Gil Kaan, Culture Spot LA

 

Performances continue through June 23 at the Pasadena Playhouse, 39 S. El Molino Ave., Pasadena 91101. Show times are Tuesdays through Fridays at 8 p.m., Saturdays at 4 and 8 p.m., and Sundays at 2 and 7 p.m. For tickets, visit www.PasadenaPlayhouse.org or call the box office at (626) 356-7529.

 

PHOTO CALL: SHARON LAWRENCE, NIA VARDALOS, SAM HARRIS AND MORE AT OPENING NIGHT OF WORLD PREMIERE ‘SLEEPLESS IN SEATTLE’ MUSICAL – Playbill.com

By Krissie Fullerton
05 Jun 2013

Tim Martin Gleason, Chandra Lee Schwartz and Joe West star in the world-premiere production of Sleepless in Seattle — The Musical, at the Pasadena Playhouse. The musical officially opened June 2.

The cast includes Gleason as Sam, West as Jonah, Schwartz as Annie, Sabrina Sloan as Becky, Todd Buonopane as Rob, Cynthia Ferrer as Eleanor, Katharine Leonardas Victoria, Robert Mammana as Walter, Adam Silver as Greg, Lowe Taylor as Suzy and Carter Thomas as Jonah alternate.

Rounding out the ensemble are Sachin Bhatt, Terron Brooks, Jay Donnell, Charissa Hogeland, Teya Patt and Yuka Takara.

According to Playhouse notes, “Sleepless in Seattle — The Musicalcenters around Sam, a widower and single father. When Sam’s son, Jonah calls into a talk radio program looking for a new mother, Sam ends up getting on the phone and laments about his lost love. Thousands of miles away in Baltimore, Annie hears the program and immediately falls in love with Sam, despite the fact that she has never met him and that she is engaged to another man. Believing they are meant to be together, Annie sets out for Seattle to meet Sam, who, meanwhile, contends with an onslaught of letters from available women equally touched by his phone call.”

Here’s a look at opening night in California:

 

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Chandra Lee Schwartz, Joe West and Tim Martin Gleason
Photo by Earl Gibson

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

For more information, visit PasadenaPlayhouse.org.